Why Laura Citarella's Borgesian thriller shouldn't get lost among the Venice Film Festival's PR distractions This month, I'm going to review a film I doubt you'll ever see. This is not intended as either a prank or a provocation; it's simply a comment on the way the film industry works and the oddly devalued status we currently enjoy, as consumers in this supposed age of plenty. But first, a cautionary tale, one that may help to explain where we find ourselves: a little over a month ago saw the release of George Miller's latest feature, Three Thousand Years of Longing – his first since 2015, and the critical and commercial triumph of Mad Max: Fury Road.

https://www.themonthly.com.au/issue/2022/october/shane-danielsen/last-tango-venice-trenque-lauquen

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